Photo Rag is the most popular paper chosen by photographers to create high quality fine art prints. The fine, smooth surface and feel of  Photo Rag make this paper very versatile and it is ideal for printing both black and white and color photographs and art reproductions with impressive pictorial depth.

With its matt watercolour texture this paper is a genuine mould-made paper in both look and feel. William Turner is ideal for reproductions of traditional artworks and also for striking and expressive photo reproductions.

Photo Rag® Baryta consists of 100% cotton and offers the unique “touch and feel” experience of Hahnemühle’s genuine art papers.  Using barium sulphate in the inkjet coating ensures the typical gloss that makes this paper a genuine replacement for traditional Baryta papers from analogue laboratories. Its premium formulation allows for a large colour gamut with high image definition and 3-dimensional colour depth.

The paper’s unique glossy, baryta suface and white tone lends itself perfectly to black and white prints with an extremely high dmax and finest grey tones as well as lustre colour images. Its premium inkjet coating also offers a very high level of water resistance.

When reaching for the highest level of photographic artistry, Museo® Silver Rag™ paper enables us to print and preserve your work in an optimal way. Using Museo® Silver Rag™, fine art and gallery prints show extraordinary depth and detail along with the semi-gloss finish of traditional fiber-based photo paper.  Optimized for pigmented inks, Museo® Silver Rag™ brings out the best in B&W and color images, and delivers high Dmax and superior tonal range.

The world’s number one mould-made traditional printmaking paper, with more than 500 years of history and heritage. BFK Rives has a unique pure white tone obtained without the use of OBAs and a very specific smooth and velvety texture.